{"id":140825,"date":"2025-11-19T16:00:12","date_gmt":"2025-11-19T16:00:12","guid":{"rendered":"https:\/\/kamucalisani.net\/?p=140825"},"modified":"2025-11-19T16:00:12","modified_gmt":"2025-11-19T16:00:12","slug":"bakanlar-kacir-ve-ersoy-anadoludakiler-sofun-zamansiz-yolculugu-sergisinin-acilisinda-konustu","status":"publish","type":"post","link":"https:\/\/kamucalisani.net\/index.php\/2025\/11\/19\/bakanlar-kacir-ve-ersoy-anadoludakiler-sofun-zamansiz-yolculugu-sergisinin-acilisinda-konustu\/","title":{"rendered":"Bakanlar Kac\u0131r ve Ersoy, &#8216;Anadoludakiler: Sof&#8217;un Zamans\u0131z Yolculu\u011fu Sergisi&#8217;nin a\u00e7\u0131l\u0131\u015f\u0131nda konu\u015ftu"},"content":{"rendered":"<p><p>Kac\u0131r, Cumhurba\u015fkan\u0131 Recep Tayyip Erdo\u011fan&#8217;\u0131n e\u015fi Emine Erdo\u011fan&#8217;\u0131n kat\u0131l\u0131m\u0131yla Anadolu Medeniyetleri M\u00fczesinde d\u00fczenlenen &#8220;Anadoludakiler: Sof&#8217;un Zamans\u0131z Yolculu\u011fu Sergisi&#8221;nin a\u00e7\u0131l\u0131\u015f\u0131ndaki konu\u015fmas\u0131nda, T\u00fcrkiye&#8217;nin 1788 co\u011frafi i\u015faret ve geleneksel \u00fcr\u00fcnle bu alanda Avrupa&#8217;da birinci, d\u00fcnyada ikinci s\u0131rada bulundu\u011funu s\u00f6yledi.<\/p>\n<p>Yurdun d\u00f6rt bir yan\u0131nda, geleneksel birikimi modern \u00fcretim anlay\u0131\u015f\u0131yla bulu\u015fturan, topra\u011f\u0131na, sanat\u0131na ve zanaat\u0131na ba\u011fl\u0131 binlerce kooperatif ve giri\u015fimci bulundu\u011funu ifade eden Kac\u0131r, bakanl\u0131k olarak bu topraklar\u0131n k\u00fclt\u00fcrel, tarihi ve ekonomik zenginliklerini \u00f6z\u00fcne yak\u0131\u015f\u0131r bi\u00e7imde ya\u015fatmak ve gelece\u011fe ta\u015f\u0131mak i\u00e7in emek veren her giri\u015fimi desteklediklerini vurgulad\u0131.<\/p>\n<p>Anadolu&#8217;nun t\u00fcm k\u00fclt\u00fcr hazinesini g\u00fc\u00e7l\u00fc bir koruma \u015femsiyesi alt\u0131na ald\u0131klar\u0131n\u0131 belirten Kac\u0131r, hen\u00fcz 2 y\u0131l\u0131n\u0131 doldurmayan projeyle Anadolu&#8217;nun d\u00f6rt bir yan\u0131nda istihdam\u0131 art\u0131ran, yerel \u00fcreticiyi g\u00fc\u00e7lendiren, g\u00f6n\u00fcllere dokunan ve d\u00fcnyada ses getiren \u00e7ok \u00f6nemli \u00e7al\u0131\u015fmalara imza att\u0131klar\u0131n\u0131 s\u00f6yledi.<\/p>\n<p><strong>&#8211; 51 PROJEYE 358 M\u0130LYON L\u0130RA KAYNAK AYRILDI<\/strong><\/p>\n<p>Mehmet Fatih Kac\u0131r, &#8220;81 \u0130l 81 \u00dcr\u00fcn Program\u0131&#8221; ile kadim Anadolu medeniyetlerinin \u00f6zg\u00fcn \u00fcr\u00fcnlerine k\u00fcresel marka de\u011feri kazand\u0131rmak \u00fczere harekete ge\u00e7tiklerini, geleneksel de\u011ferlerden beslenen 51 projeye 358 milyon lira kaynak sa\u011flad\u0131klar\u0131n\u0131 bildirdi.<\/p>\n<p>Kac\u0131r, proje kapsam\u0131nda g\u00fcndeme getirilen k\u00fclt\u00fcrel miras\u0131n en nadide \u00f6rne\u011fi olarak Ankara&#8217;ya ait &#8220;sof kuma\u015f\u0131n\u0131&#8221; \u00f6ne \u00e7\u0131kard\u0131 ve \u015fu bilgileri payla\u015ft\u0131:<\/p>\n<p>&#8220;Ankara Kalk\u0131nma Ajans\u0131 eliyle sa\u011flanan 91 milyon liran\u0131n \u00fczerindeki destekle, sof kuma\u015f\u0131n\u0131n \u00fcretimini canland\u0131rmak, tan\u0131t\u0131m ve pazarlamas\u0131n\u0131 g\u00fc\u00e7lendirmek \u00fczere K\u0131z\u0131lcahamam, \u00c7aml\u0131dere, G\u00fcd\u00fcl, Alt\u0131nda\u011f ve Aya\u015f&#8217;ta dokuma at\u00f6lyeleri kuruldu. &#8216;\u0130z Ankara El Sanatlar\u0131 ve Tasar\u0131m Merkezi&#8217;nde ger\u00e7ekle\u015ftirilen AR-GE ile asl\u0131na sad\u0131k sof kuma\u015f\u0131 yeniden \u00fcretildi ve ticarile\u015fme ad\u0131mlar\u0131yla ustalar\u0131n eme\u011fi ekonomik kar\u015f\u0131l\u0131\u011f\u0131n\u0131 buldu. &#8216;Zamans\u0131z Zarafet: Sof Dokuman\u0131n Yeniden Do\u011fu\u015fu&#8217; projesiyle \u00fcretim kapasitesi art\u0131r\u0131larak ticaret hacmi geni\u015fletildi. Projenin elde etti\u011fi ba\u015far\u0131, Ba\u015fkent&#8217;in kadim de\u011feri olan sof kuma\u015f\u0131n\u0131 tekrar g\u00fcn y\u00fcz\u00fcne \u00e7\u0131kar\u0131yor. Mahmut Pa\u015fa Bedesteni gibi tarihi adreslerde d\u00fczenlenen etkinliklerle bu miras ya\u015fat\u0131l\u0131rken, \u00fclkemizin tasar\u0131m ve \u00fcretim g\u00fcc\u00fc d\u00fcnyaya tan\u0131t\u0131l\u0131yor.&#8221;<\/p>\n<p>Bakan Kac\u0131r, sergide sof kuma\u015f\u0131ndan yap\u0131lm\u0131\u015f \u00fcr\u00fcnleri i\u015faret ederek, &#8220;Buradaki her bir par\u00e7a, Anadolu&#8217;nun sabr\u0131n\u0131, zarafetini ve \u00fcretken ruhunu yans\u0131t\u0131rken, yeniden hayat bulan sof dokumac\u0131l\u0131\u011f\u0131n\u0131n s\u00fcrd\u00fcr\u00fclebilir bir gelecek i\u00e7in nas\u0131l bir ilham kayna\u011f\u0131 olabilece\u011fini de g\u00f6steriyor. Ankara&#8217;n\u0131n zanaatkarl\u0131k miras\u0131n\u0131 ya\u015fat\u0131rken, ayn\u0131 zamanda \u00fclkemizin tasar\u0131m ve \u00fcretim g\u00fcc\u00fcn\u00fc d\u00fcnyaya tan\u0131t\u0131yor.&#8221; dedi.<\/p>\n<p>Anadolu&#8217;nun binlerce y\u0131ll\u0131k haf\u0131zas\u0131n\u0131n, k\u00fcresel ticaretin amans\u0131z m\u00fccadelesi i\u00e7erisinde yitip gitmesini istemediklerini vurgulayan Kac\u0131r, &#8220;Anadoludakiler&#8221; projesinin yerel \u00fcreticinin gelirini art\u0131ran, kad\u0131n istihdam\u0131n\u0131 ve giri\u015fimcili\u011fini g\u00fc\u00e7lendiren bir ekosistem olu\u015fturaca\u011f\u0131na inand\u0131klar\u0131n\u0131 dile getirdi.<\/p>\n<p>Kac\u0131r, projeye destek olan Emine Erdo\u011fan&#8217;a te\u015fekk\u00fcr etti.<\/p>\n<p><strong>&#8211; &#8220;HASSAS\u0130YET\u0130M\u0130Z\u0130N B\u0130R G\u00d6STERGES\u0130&#8221;<\/strong><\/p>\n<p>K\u00fclt\u00fcr ve Turizm Bakan\u0131 Mehmet Nuri Ersoy da T\u00fcrkiye&#8217;nin k\u00fclt\u00fcrel miras\u0131na ait t\u00fcm de\u011ferlere sahip \u00e7\u0131kmay\u0131 s\u00fcrd\u00fcreceklerini belirtti.<\/p>\n<p>Ersoy, k\u00f6kl\u00fc bir medeniyet miras\u0131na sahip olman\u0131n b\u00fcy\u00fck bir gurur oldu\u011funu belirterek son 23 y\u0131ldaki \u00e7al\u0131\u015fmalarla k\u00fclt\u00fcrel de\u011ferlerin tek tek g\u00fcn y\u00fcz\u00fcne \u00e7\u0131kar\u0131ld\u0131\u011f\u0131n\u0131 s\u00f6yledi.<\/p>\n<p>T\u00fcrkiye&#8217;nin yaln\u0131zca yurt i\u00e7indeki de\u011fil d\u00fcnyan\u0131n d\u00f6rt bir yan\u0131ndaki eserlerine sahip \u00e7\u0131kt\u0131\u011f\u0131n\u0131 dile getiren Ersoy, &#8220;Tarihin en zor ko\u015fullar\u0131nda dahi d\u00fc\u015f\u00fcnmeyi, \u00fcretmeyi ve in\u015fa etmeyi kendine ilke edinmi\u015f, hayat\u0131 g\u00fczelle\u015ftirmeyi ve iyile\u015ftirmeyi inanc\u0131n\u0131n bir par\u00e7as\u0131 olarak g\u00f6rm\u00fc\u015f ceddimize ait her ne varsa bizim i\u00e7in k\u0131ymetlidir, de\u011ferlidir ve \u00f6zeldir. Bize d\u00fc\u015fen g\u00f6rev ise hi\u00e7bir ayr\u0131m g\u00f6zetmeksizin, zorluklara tak\u0131lmadan, engelleri g\u00f6z\u00fcm\u00fczde b\u00fcy\u00fctmeden bu k\u00fclt\u00fcrel miras\u0131 bulmak, aya\u011fa kald\u0131rmak ve sahip \u00e7\u0131kmakt\u0131r.&#8221; diye konu\u015ftu.<\/p>\n<p>Ersoy, sadece yerin \u00fcst\u00fcndeki eserlerin de\u011fil, yerin alt\u0131ndakilerin de korunmas\u0131yla ilgili t\u00fcm d\u00fcnyan\u0131n yak\u0131ndan merakla takip etti\u011fi \u00e7al\u0131\u015fmalar\u0131 hayata ge\u00e7irdiklerini belirterek, &#8220;Sayg\u0131de\u011fer Han\u0131mefendi&#8217;nin \u00e7ok de\u011ferli destekleriyle sof kuma\u015f\u0131n yeniden dokunmaya ba\u015flamas\u0131, tarihimize, k\u00fclt\u00fcr\u00fcm\u00fcze, medeniyetimize ve onun biricikli\u011fini yans\u0131tan eserlerine olan hassasiyetimizin bir g\u00f6stergesidir.&#8221; dedi.<\/p>\n<p>Ankara ke\u00e7isinin tifti\u011finden \u00fcretilen sof kuma\u015f\u0131n tarihsel kullan\u0131m alanlar\u0131na de\u011finen Ersoy, &#8220;Sof kuma\u015f yaz\u0131n serin, k\u0131\u015f\u0131n s\u0131cak tutarak, az buru\u015fan ve sa\u011fl\u0131kl\u0131 yap\u0131s\u0131yla \u00f6zellikle giyim ve \u015fal \u00fcretiminde tercih edilmi\u015ftir. Yumu\u015fak dokusuna ra\u011fmen y\u00fcksek dayan\u0131kl\u0131l\u0131\u011f\u0131 ve mevsimsel konforu sayesinde toplumun se\u00e7kin kesimleri taraf\u0131ndan ra\u011fbet g\u00f6rerek k\u00fclt\u00fcrel tarihimizde ayr\u0131cal\u0131kl\u0131 bir yere sahip olmu\u015ftur.&#8221; bilgisini payla\u015ft\u0131.<\/p>\n<p>Bakan Ersoy, sof kuma\u015f\u0131n bu \u00f6zellikleriyle yaln\u0131zca g\u00fcndelik bir kullan\u0131m malzemesi olmaktan \u00e7\u0131kararak y\u00fczy\u0131llar boyunca Anadolu&#8217;dan Avrupa&#8217;ya uzanan de\u011ferli bir ticaret \u00fcr\u00fcn\u00fc haline geldi\u011fini belirterek \u015funlar\u0131 kaydetti:<\/p>\n<p>&#8220;Bir d\u00f6nem herkesin imrendi\u011fi sof kuma\u015f\u0131 ustal\u0131k, emek ve sab\u0131r isteyen bir zanaatin \u00fcr\u00fcn\u00fcd\u00fcr. Maalesef devlet ekonomisine \u00f6nemli katk\u0131lar sa\u011flayan, k\u00fclt\u00fcr\u00fcm\u00fcz\u00fcn esteti\u011fini ve saray\u0131n ihti\u015fam\u0131n\u0131 yans\u0131tan bu k\u0131ymetli kuma\u015f \u00f6zellikle Sanayi Devrimi&#8217;nin yol a\u00e7t\u0131\u011f\u0131 de\u011fi\u015fimler neticesinde unutulmaya y\u00fcz tutmu\u015ftur. Ayr\u0131ca bu geriye gidi\u015f ustalar\u0131n da birer birer kaybolmas\u0131na neden olmu\u015ftur. &#8220;<\/p>\n<p>Bakan Ersoy, projenin ger\u00e7ekle\u015fmesine emek veren kad\u0131n giri\u015fimciler, zanaatkarlar, ara\u015ft\u0131rmac\u0131lar ve t\u00fcm kurumlara te\u015fekk\u00fcr etti.<\/p>\n<p><strong>&#8211; &#8220;K\u00dcLT\u00dcREL HAFIZA G\u00dc\u00c7LEND\u0130R\u0130LD\u0130&#8221;<\/strong><\/p>\n<p>Ankara Valisi Vasip \u015eahin, &#8220;\u0130z Ankara Tasar\u0131m ve Sanatlar\u0131 Merkezi&#8217;nin&#8221; Ankara Valili\u011fi ve Ankara Kalk\u0131nma Ajans\u0131 i\u015f birli\u011fiyle 2018&#8217;de ba\u015flat\u0131lan bir proje oldu\u011funu belirtti.<\/p>\n<p>\u015eahin, merkezin amac\u0131n\u0131 &#8220;Ankara&#8217;ya \u00f6zg\u00fc de\u011ferlerin, geleneksel el sanatlar\u0131n\u0131n ve yerel \u00fcretim k\u00fclt\u00fcr\u00fcn\u00fcn modern tasar\u0131mlarla yeniden bulu\u015fmas\u0131n\u0131 sa\u011flamak; bu zengin miras\u0131 koruyarak gelecek nesillere aktarmak&#8221; s\u00f6zleriyle aktard\u0131.<\/p>\n<p>Merkezin Kale b\u00f6lgesindeki tarihi dokuda 2020&#8217;de faaliyete ge\u00e7ti\u011fini hat\u0131rlatan \u015eahin, burada sof, Nall\u0131han ve kilim dokuma ile g\u00fcm\u00fc\u015f tak\u0131, cam tasar\u0131m ve diki\u015f alanlar\u0131nda \u00fcretim yap\u0131ld\u0131\u011f\u0131n\u0131 ifade etti.<\/p>\n<p>\u015eahin, sanayile\u015fmeyle unutulma tehlikesi ya\u015fayan 400 y\u0131ll\u0131k sof dokuma gelene\u011finin yeniden hayata ge\u00e7irilerek hem k\u00fclt\u00fcrel haf\u0131zan\u0131n g\u00fc\u00e7lendirildi\u011fini hem de modern tasar\u0131mla \u00e7a\u011fa uyarland\u0131\u011f\u0131n\u0131 s\u00f6yledi.<\/p>\n<p><strong>&#8211; &#8220;SOF KUMA\u015eI D\u0130\u011eER BENZER\u0130 MUAD\u0130L \u00dcR\u00dcNLER\u0130NDEN \u00d6NEML\u0130 \u00d6L\u00c7\u00dcDE FARKLILA\u015eIYOR&#8221;<\/strong><\/p>\n<p>Program \u00f6ncesi bas\u0131n mensuplar\u0131na etkinli\u011fe ili\u015fkin a\u00e7\u0131klama yapan Kalk\u0131nma Ajanslar\u0131 Genel M\u00fcd\u00fcr\u00fc Ahmet \u015eim\u015fek, Ankara&#8217;n\u0131n kalk\u0131nma hikayesinde \u00f6nemli bir yer tutan Ankara tiftik ke\u00e7isinin sof kuma\u015f\u0131ndan \u00fcretilmi\u015f 35 k\u0131yafetin bug\u00fcn g\u00f6r\u00fcc\u00fcye \u00e7\u0131kt\u0131\u011f\u0131n\u0131 belirtti.<\/p>\n<p>\u015eim\u015fek, \u015funlar\u0131 kaydetti:<\/p>\n<p>&#8220;Sof kuma\u015f\u0131 di\u011fer benzeri muadil \u00fcr\u00fcnlerinden \u00f6nemli \u00f6l\u00e7\u00fcde farkl\u0131la\u015f\u0131yor. \u0130nceli\u011fi, uzunlu\u011fu, mikron kal\u0131nl\u0131\u011f\u0131, parlakl\u0131\u011f\u0131 ve dayan\u0131kl\u0131l\u0131\u011f\u0131yla asl\u0131nda t\u00fcm d\u00fcnyaya mal olmu\u015f bir \u00fcr\u00fcn. Ge\u00e7mi\u015f y\u0131llarda Ankara&#8217;n\u0131n kalk\u0131nma hikayesinde de tiftik ve tiftikten \u00fcretilen sof kuma\u015f\u0131 t\u00fcm d\u00fcnyaya bir ticari \u00fcr\u00fcn olarak haz\u0131rlan\u0131yordu. G\u00fcn\u00fcm\u00fczde bu \u00fcr\u00fcn unutulmaya y\u00fcz tutmu\u015f bir hale geldi. Bu konu, Say\u0131n Emine Erdo\u011fan Han\u0131mefendi&#8217;nin ba\u015fta Anadolu Dokuma Atlas\u0131 ve Anadoludakiler Projesi ile daha fazla g\u00fcn y\u00fcz\u00fcne \u00e7\u0131kmaya ba\u015flad\u0131. Bu proje vesilesiyle \u00fcretimi yerelde canland\u0131rmaya \u00e7al\u0131\u015f\u0131yoruz.&#8221;<\/p>\n\n<p><\/p>\n<p>Kaynak :\u00a0<span style=\"background-color: rgb(255, 249, 236); color: rgb(55, 58, 60); font-size: 14px;\">http:\/\/www.milliyet.com.tr\/gundem\/bakanlar-kacir-ve-ersoy-anadoludakiler-sofun-zamansiz-yolculugu-sergisinin-acilisinda-konustu-7486337<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sanayi ve Teknoloji Bakan\u0131 Mehmet Fatih Kac\u0131r, &#8220;Anadoludakiler: Sof&#8217;un Zamans\u0131z Yolculu\u011fu Sergisi&#8221;ne ili\u015fkin, &#8220;Buradaki her bir par\u00e7a, Anadolu&#8217;nun sabr\u0131n\u0131, zarafetini ve \u00fcretken ruhunu yans\u0131t\u0131rken, yeniden hayat bulan sof dokumac\u0131l\u0131\u011f\u0131n\u0131n s\u00fcrd\u00fcr\u00fclebilir bir gelecek i\u00e7in nas\u0131l bir ilham kayna\u011f\u0131 olabilece\u011fini de g\u00f6steriyor. Ankara&#8217;n\u0131n zanaatkarl\u0131k miras\u0131n\u0131 ya\u015fat\u0131rken, ayn\u0131 zamanda \u00fclkemizin tasar\u0131m ve \u00fcretim g\u00fcc\u00fcn\u00fc d\u00fcnyaya tan\u0131t\u0131yor.&#8221; ifadelerini kulland\u0131.<\/p>\n","protected":false},"author":1,"featured_media":140826,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[1641,1728,836,760,479],"class_list":["post-140825","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-guncel","tag-anadolu","tag-ankara","tag-kultur","tag-proje","tag-uretim"],"_links":{"self":[{"href":"https:\/\/kamucalisani.net\/index.php\/wp-json\/wp\/v2\/posts\/140825","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kamucalisani.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kamucalisani.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kamucalisani.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kamucalisani.net\/index.php\/wp-json\/wp\/v2\/comments?post=140825"}],"version-history":[{"count":1,"href":"https:\/\/kamucalisani.net\/index.php\/wp-json\/wp\/v2\/posts\/140825\/revisions"}],"predecessor-version":[{"id":140827,"href":"https:\/\/kamucalisani.net\/index.php\/wp-json\/wp\/v2\/posts\/140825\/revisions\/140827"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kamucalisani.net\/index.php\/wp-json\/wp\/v2\/media\/140826"}],"wp:attachment":[{"href":"https:\/\/kamucalisani.net\/index.php\/wp-json\/wp\/v2\/media?parent=140825"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kamucalisani.net\/index.php\/wp-json\/wp\/v2\/categories?post=140825"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kamucalisani.net\/index.php\/wp-json\/wp\/v2\/tags?post=140825"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}